by George Ziemann
If the
story about Algorhythm wasn't enough to annoy the artists in the audience, this one will do it -- synthesized singers.
The story is at the
New York Times, but I can only bear to share one paragraph.
"Developed at Pompeu Fabra University in Spain and financed by the Yamaha Corporation, the software, which is due to be released to consumers in January, allows users to cast their own (or anyone else's) songs in a disembodied but exceedingly life-like concert-quality voice. Just as a synthesizer might be programmed to play a series of notes like a violin one time and then like a tuba the next, a computer equipped with Vocaloid will be able to "sing" whatever combination of notes and words a user feeds it. The first generation of the software will be available for $200. But its arrival raises the prospect of a time when anyone with a laptop will be able to repurpose any singer's voice or even bring long-gone virtuosos back to life. In an era when our most popular singers are marketed in every conceivable way — dolls, T-shirts, notebooks, make-up lines — the voice may become one more extension of a pop-star brand."
Yet another story gives us instant poetry, from a name known in the music biz.
INVENTING is about catching the wave," said Ray Kurzweil, who addressed a national convention of inventors in Philadelphia last Monday. "Most inventions fail not because the inventor can't get them to work but because the invention comes at the wrong time."
Mr. Kurzweil should know. An inventor in the field of artificial intelligence, he has started and sold several companies for millions of dollars.
On Nov. 11, Mr. Kurzweil and John Keklak, an engineer, received patent No. 6,647,395, covering what Mr. Kurzweil calls a cybernetic poet. Essentially, it is software that allows a computer to create poetry by imitating but not plagiarizing the styles and vocabularies of human poets.
And Kurzweil is actually something of a pioneer in the "make a computer do something apparently creative" invention genre. By the time he was 16, he had invented a computer that composed melodies based on pattern recognition. He and his melody-generating machine appeared on the television show "I've Got a Secret."
He also think robots will be having sex soon...
Now don't get me wrong. I'm a keyboard player and I love synthesizers, but I think all of this computer diagnostic songwriting, poetry and vocalization is all pretty funny stuff.
I say if you want locally produced Muzak, have at it.
But there's nothing like playing a tune or writing one. It does something for the soul a computer will never do.
Unless Kurzweil is right about the sex part...