Entertainment
By justed
Parents who watch their child growing up witness the awakening of the cognitive fascination that stacking blocks (creating something) brings.
Along with the development of motor skills, block stacking and assembly represents one of the first acts of creative influence upon the environment a child experiences as the first step in what will hopefully be a long life of interaction with the world.
But there's an earlier stage of mental growth, before the child's motor skills have developed. At this point the child's greatest discovery is the ability to interact with its environment by destroying the carefully stacked blocks that a loving parent has patiently assembled.
Movie reviewers, at first glance, may seem to be stuck in that childlike world of: helpless to create - only best able to contribute by destroying.
But the process of growth includes death, destruction and decay.
That isn't to say movies of the post-Apocalyptic genre are simplistic, infantile works of childish destruction appealing to the earliest memories of childhood frustration at the inability to change the world.
Rather, they suggest that the bleak portrayal of a world without hope resonates with some of the earliest childhood memories of helplessness we all share, at some inarticulate level of remembrance.
Movie: Terminator 3: Rise of the Machines
Being the third in a series holds some pitfalls: on the one hand you
know everybody knows the 'back story' but on the other, you pay some slight lip service to the idea they might need to 'brush-up' on a few of the details. But since plot isn't terribly important, being more of a contrivance for bigger and better, more expensive orgies of destruction (and shouldn't get in the way of all that mayhem), little attention seems to be paid to it. Consequently, it comes as no surprise that
Terminator 3 fails to work as an independent production (a common failing of sequels). Years from now, this movie will only make sense when viewed with
Terminator and T2.
Which raises two questions:
1) In the ever increasing race to spend the most money to destroy the most stuff in the most spectacular fashion, at what point will the national budget, the Gross Domestic Product (GDP) of some third world country, be exceeded by the budget of destruction of one of these mega-movies? Or has it already happened? And,
2) Given that the Terminator that killed the kid (don't ask), has become corrupted and reboots, isn't it kind of massively stupid to accept unquestioned that upon its return it means no harm?
The message of this movie: The machines will try to take over. But it's too late.
The machines
have taken over. Where once they were human, they've become soul-less bean counters which now measure movies in terms of money, both spent and grossed.
So on the b/p/n/g/x scale (bad/poor/neutral/good/excellent scale) I'd have to say: Action effects 'x' (if kind of predictable), but plot 'p.'