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To: Steve Metalitz -- IIPA.com
Mr. Metalitz,
I am writing to you because it is my belief that you represent the Recording Industry Association of America in some legal capacity. If you are not the proper legal representative, please forward this request for information to the appropriate party.
I am in contact with a number of highly paid professional computer scientists (actually with capital CS), who wish to know if the major labels would like all of their music removed from the P2P net so that they can get back to work without harrassment.
Here is a chunk of information one provided to me:
----------------
Its not that hard to do in practice-
if (banned) then {
zap( target );
}
where- banned comes from your magic banned music directory, file
checksums, and music signatures (like virus signatures). You might have
to create some harvesters on the network, like spammers do with e-mail
addresses.
zap() could be a search and destroy, but a denial of service attack is more fun. Just flood the person requesting the music with correctly formatted, but incorrect answers. Lots of em. So, if someone wants Britney Spears, give them back 20 million incorrect places to download it from. Most p2p users won't put up with that for too long before they find someplace else to play.
---------
You saw Barbara Simmons of the ACM. She seemed kind of annoyed about all of this business and the effect it has had on her work. I think her team would jump on this and help us so she could get back to what she was doing.
We already have someone who does work for NASA. This was his idea.
I've asked this same question in a public forum. I have asked for a definition of the "unauthorized" music.
My original position was that, since there are 64,000 independent acts willingly sharing their music on the net (which no one wants to acknowledge), it is up to us to maintain control. If I am not mistaken, Congress just agreed with me yesterday.
According to the definition I have received so far, "unauthorized music" includes everything from all labels associated with the RIAA.
This would, by definition, unfortunately, include most of the remaining content at mp3.com. To date, my assertion has been that mp3 files are a promotional tool. Many of us use them in this manner. The RIAA's unqualified position is that piracy is destroying the music industry.
And now, I am in the unique position to present what others have referred to as a modest proposal.
We are prepared to give Hilary Rosen what she has been requesting for 3 years. We would like to negotiate the exact terms of our actions, in an effort to resolve the issue in the best interests of the recording industry AND the independent artists who comprise the majority of the copyright owners in the country. The Intellectual Property Owners you represent may own the majority of the copyrights, but you are the minority of copyright owners and you control an unquestioned overwhelming majority of the market for recorded music.
If you use the power of your market position in a specific effort to refuse to negotiate, that would be a collusion of copyrights that would specifically and certainly define an antitrust as explained by David Boies in his counter-claim in the Napster case, if one were to examine the ruling of the 9th District Court in the Napster hearings.
Correct me if I am mistaken, but the judge determined that:
a) The recording industry was a monopoly
b) They were actively pooling their copyrights in an attempt to refuse to negotiate.
c) They got away with it that time. Napster was bad first. The actions were justified.
This is totally different.
I offer a solution to the problem we have all been hearing screamed from the rafters for three years now.
We're tired of listening to it. We're tired of having all of OUR fans called pirates. There are probably ten times as many of us as there are major artists. Charlotte Douglass, the Copyright Office's Principal Legal Advisor, indicated that she was absolutely shocked to learn that GarageBand.com had 64,000 acts alone, not to mention DMusic, with another 4,000 acts and Vitaminic.com, an international site which is now allowing us to offer up to 25 songs for free downloading, as well as a pay-per-download business model for those who choose to avail themselves of this additional promotional opportunity.
And we all own our own copyrights, registered or not.
We would like a voice. We would like to negotiate the end to the litigation.
Or begin a new one.
Please advise to Mr. Brian Corber at the address indicated in the header of this e-mail. He is not retained as my attorney at this time, but I would like him to review any messages from your office. He has provided valuable legal insight to me, as well as several others interested in the resolution of the disruption of the educational networks and the world's enjoyment of the art of music in general.
Let's take the battle for the marketplace out of the courtroom and put it back in the spotlight where it belongs.
We'll solve the RIAA's problem. And everyone else's. All they have to do is ask.
Please be very specific. The technoids -- the really good ones anyhow -- are worse sticklers for detail than the lawyers are.
Personally, I would say that choosing to have the major music banned from the P2P net would not be as much in your best interests as you appear to believe. I would advise careful deliberation. I'm reaching a global audience for $20 a month. I think the Internet is a vast free promotional opportunity.
And so do a lot of us. In order for us to survive, we have to create a playing field which is litigation-free.
You have had three years to devise a new business model. You have not succeeded.
Make a wish and the world will do its best to grant it. But you're not wiping the independents out in the process.
And you only get one wish.
--
George Ziemann
MacWizards Music
1604 N Date Dr.
Tempe AZ 85281
wizard@azoz.com
http://www.azoz.com
MUM -- Musicians United for Music