In many respects I agree with you, however I
personally have been boycotting since July
11th, 2000. (the day Lars Ulrich whined in
front of congress "Napster ripped me off".
Did it slow my music prchases? for a while,
but then I discovered the wonderful world of
independents. Last year I bought about 50
CD's all from independent musicians. People
like Fred Eaglesmith, Lady Jane Grey, Robin
Hackett, Jack Hardy, just to name a few.
More music than any other year previous (by
about 5 times). Stew on that Hilary...
To me the boycott started out as a means to
express my outrage at the DMCA, the CTEA
(Copyright Term Extension Act, sometimes
refered to as the Sony Bono Act). To this
day, I still feel that Mp3, Ogg, WMA, or any
other format (other than 44.1Kz 16 bit wav)
is nowhere a good as a cd. To me these are
acceptable (like radio) but still not as
good as a cd. Earlier this year I did a
test, in which I took a cd made a 44,100
16bit wav file from a song that was 46MB, I
then made a Mp3 from the same song. It was
4.6MB. A quick listen to both and it was
easy to tell the difference. The Mp3 misses
the nuances of the music,
the point being that MP3 is not a perfect
digtial copy as been touted by the RIAA.
Acceptable yes, like radio but not the best
musical experience. I consider digtial music
files to be a promotional quality item only.
Sure there is the statutory license, which
is so restrictive, you can't play more than
3 songs by the same artist in a 4 hour
period. Interactivity? forget it. Let the
listener chose what they want to hear? No
Way, that's why most webradio sucks. They
don't even have the latitude to program that
terrestial radio has. Oh you want an
interactive license? Did you know it costs a
million dollars, to even discuss it? That's
what is required up front to get to the
bargaining table. By putting artifical
barriers to the entry of the last place an
independent artist has to get a decent
amount of play, the RIAA membership has
sealed their fate, with me at least. But the
main is reason is that they have distorted
the copyright bargain that our forefathers
struck. I own copyrights, extending the term
doesn't encourage the creator to create, it
encourages him to sit on his ass after one
sucessful endeavor.
Does the boycott work? I like to think it is
having some impact, as last year the RIAA
member sales were down approx 5%, In January
they (the RIAA) laid off 16 people.
As for Mein Kampf, I first read it when I
was 13. My father gave it to me with a
statement something to the effect of
"there's something to learned from this. He
was a carrer Marine. The maniac that Hitler
was, he did know what he wanted, and how to
get there. He planned it, he did it. Step by
evil step. I have likened the RIAA to Nazis
more than once. They didn't just go away,
it took a lot of hard work, and dedicated
men and women to end the regime. Check out
http://www.boycott-riaa.com/images/RIAA_SS_3.jpg
You know what scares me the most about the
RIAA and the MPAA? It's that they might
actually believe the bullshit they spout.