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More and more as I watch, listen and read about the debate of digital music the more amused, and irate I become at the changing of the meaning of words and metaphors used in the debate.
Pirate/Piracy- For example, the word Pirate has always been used to describe some one who made copies of entire CDs, usually including the covers, art work, and printed material. But in the infinite wisdom of the RIAA the term "Pirate" has been reworked to apply to people who rip MP3 files from a CD. In the recording industry's eyes, you are a pirate if you make an MP3 of a song . Doesn't matter what you do with it, even if its just to transfer it to your MP3 player to take to work, or jogging, you're a pirate. (And by connotation a thief), and God have mercy on your soul if you happened to burn a cd of it. The penalties approach those of capital murder.
Perfect Digital Copy-The one phrase that really gets me hot under the collar and is most likely to get me going is when these so called music industry experts spout forth phrases like "Download a perfect digital copy" of a song (or a movie for that matter). Just one time I would love for one of the Senators to ask "What format MS Rosen?" If she's talking about MP3 or even Ogg, this is not a PERFECT DIGITAL COPY"; it is a representation of the song, but not a perfect digital copy. We're not talking minutes to download perfect digital copies, we're talking hours folks. When was the last time you downloaded a 650MB file? That's a perfect digital copy, not a 4MB file.
This morning I sat down and did a little test. I took The Lester Chambers/KK Martin CD,
"Blues for Sale", recorded 1 song (Is You Is, or Is You Ain't My Baby?) as a 16 bit, 44.1Kz Stereo wav file. (this is the same rate at which CDs are recorded). I then took the same song and captured it to a MP3 file at 128kbps. (the most commonly used encoding rate) The wav file was 45,773,000 Bytes or 45.773 MB. The Mp3 file of the same song was 4.153 MB. Obviously not an exact copy. The wav file is uncompressed, the MP3 file is compressed. On playing them both back it is quite easy for even an untrained ear to tell the difference. The 16bit 44.1 Khz file sounds better, because it has all of the bits. In the MP3 file, many of those bits are discarded, leaving the song sounding flat when compared to the CD or the original recording. So when you hear music industry wonks say that people are downloading "exact digital copies" of a song, they are distorting the truth (or lying through their teeth).
DO NOT buy the line that MP3 files are the same quality as a CD. They aren't. Are they acceptable? Possibly, if you think FM radio is acceptable, then they probably are. But, did you ever notice that when you buy a CD after hearing a song on the radio, the CD always sounds much better than it did on the radio? Same thing here. They compare apples to oranges and tell you both are apples, then accuse you of stealing the orange.
Filesharing is Illegal- No it isn't, filesharing describes a process, not a behavior. Filesharing can be used to share files between co-workers. Basically that's what a filesharing program is, a network interface, that lets various people share the files they wish. They can be legal, illegal, wedding pictures, or even porn. The computer doesn't care what it is, nor can it know. Did you ever send an email to someone with an attachment? Then you shared a file with someone, and by the connotations the "content" industry uses, you are a pirate.
As Jessica Litman writes in her book
Digital Copyright, in the chapter "Choosing Metaphors," Today the term piracy seems to apply describe any unlicensed activity -- especially if you are a teenager. The content industry calls some behavior piracy despite the fact that it is unquestionably legal. When a consumer makes a noncommerical recording of music, by, for example, taping a CD she has purchased or borrowed from a friend, her copying comes squarely within the privilege established in the Audio Home Recording Act. The record companies persist in calling that copying piracy even though the statute deems it lawful."
From the next page: "Worse, any behavior that could potentially cause the same effects as piracy, even if it doesn't, must also be piracy because an unauthorized digital copy of something could be uploaded to the Internet, where it could be downloaded by two million people, even making the digital copy is piracy. Because an unauthorized digital copy of something could be used in a way that could cause all that damage, making a tool that makes it possible to make an unauthorized digital copy, even if nobody ever makes one, is itself piracy, regardless of the reasons one might have for making the tool. And what could possibly be wrong with a law designed to prevent piracy?"
If you haven't read the book, you should. Its available at
Amazon.com. The book is a must read for anyone trying to understand just what the heck happened in copyright in the past few years, and how the DMCA came to pass.