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(written by ashleigh j. and given to the public domain.)
I am not a political guru. There are lots of other people here who can tell you what's going on in that part of the universe, but I'm not one of them. I'm much better at making stuff up. Decide for yourself if this is all valid or not.
Music has been around nearly as long as talking. If I recall correctly, many of the stories in Greek mythology were told as songs. During the Renaissance, when many of the world's greatest masterpieces of classical music were written, audiences would gather in the amphitheaters and hear the sounds as they naturally floated in the air without the aid of modern microphones and amplifiers. Certainly, much has changed. Still, even with all of our electronics and flashing lights, music is the tradition of humankind, and traditions are hard to change.
Historically speaking, the recording of music is a new phenomena. Where, throughout most of our known history, listeners had but two options -- to either sing or to listen to someone else sing; to play the drums, or to listen to someone else play them. To the people of those times, it would be absolutely unimaginable that at any given moment, I have over 3,000 songs stored in my back pocket to listen to any time and any place I choose. It would be the most insane and unbelievable notion!
The record industry came to exist after great minds found ways to replicate sounds. The music lovers of the day were the first generation to enjoy listening to a song at any time they chose. The record industry was indeed necessary in order to bring this revolution about. Even with all these computers and gadgets and gizmos, I lack the means to personally make a groove in a disc that a needle can ride in and produce musical notes. Certainly the same held true 100 years ago or so.
As the ability for people to record music became less and less cumbersome through the years, the record industry was faced with the additional task of seeking out what music people would enjoy, and presenting that music to them. Whether or not they were ever good at it is largely a matter of opinion, but who can claim that they never released a classic?
Technology, however, continued lowering the barriers between the people and the music. Seemingly basic today, the dual-deck cassette recorders of the 1980s made it easier than ever before for us to duplicate music. We used it to make mix tapes, collecting favourite songs and passing them to friends. In short, we were taking over the record industry's job of searching through the available music and hand-picking the best.
Today, the options seem limitless. We can make our own cd's. We can send songs through the phone lines using a computer. We can still make tapes. And tomorrow, those options may seem like a small number. For many of us, the barriers to finding the music we deem best are simply nonexistent. The barriers to reproducing that music are surpassed with ease. The record industry can continue to survive only by again doing it better than we can.
Each of us only has so much time. There is an incredible ammount of music in the world. How to sort through it? How to find the best of it all? The record industry has the resources to do so, yet they fail. Why they fail is a completely different discussion, but suffice it to say that their offerings are homogenous.
This is why the record industry is dying, and will continue to do so. They have lost sight of their job. They forget who their master is. And even with our limited resources, we are beginning to wake up and realize that we can do it better ourselves. So many of us do. More will soon.
Recorded music has already become inexpensive. Today, I have 3.000 songs in my back pocket. Next year, maybe I'll have 30,000. Even 100,000 isn't out of the question. And so the question becomes, how expensive can one of one hundred thousand things in your pocket possibly be?
The future is the past, only better.
Each of us are our own record industries. We filter the music according to our tastes and we find the best. We present it to others when we find overlapping interests. And the recorded songs, themselves, become the posters and flyers of the artists. They will be the advertisement that draws us to the amphitheater, the club, the outdoor stage, the coffee shop, etc. They are the new word of mouth that attracts the audicence to the latest symphony.
And once again, the music will be live, and the experience will be unreplicable. No DRM needed.